"The Cuss Set" by the Guinea Worms should've made my best-of 2014 list, but I chickened out and made up some sort of rule about 'physical releases only', which was total bullshit because then I snuck some Bandcamp-only releases on there, so basically I don't know what the fuck I'm talking about. Actually, the only people who talk about their best-of lists after the fact are jerks like Dan Moserock when they're throwing some band overboard just for spite, and who wants to be like that? (Lots of people, apparently.) (oh, by the way, you haven't been sending me enough promos, the next thing your label sends me is getting a bad review.) (shit, Earles forgot his inhaler again.) Anyway, "The Cuss Set" starts off with a somber, single-minded piano riff called "Booze's Control", which right away sets up the notion that this isn't going to be the big-rock yuck-fest that maybe you were expecting, plus is some sort of pun on Blues Control, I'd imagine (no ending is implied, but it comes quickly enough anyway). Most of this is actually sorta Neil Young-ish in a way, especially "Lady Shrapnel", which hints of Crazy Horse big-time; elsewhere there's a line that goes, "So this is rock 'n roll autumn, in the county of heart". Old man, take a look at my life. Wait, "Sober Jerk" is a giggle-fest, I take that back. The best pun on the whole thing is the song title, "Super Willin'", which fits three purposes: 1) It's a pun on 'super villain' 2) It says he's super-willin', like, for anything, maybe even enough for Little Feat 3) His name is Will, so he's super-Willin' it. Obviously I should've ended this review a couple of sentences ago.
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