Showing posts with label Jeremy Porter. Show all posts
Showing posts with label Jeremy Porter. Show all posts

Wednesday, February 2, 2011

I've Got More Regrets Than I Can Understand



I've been listening to a lot of Paul Westerberg's solo stuff in the car over the past couple of weeks, trying to decide in my head whether much of it has any merit (the final answer being, "not always"). Not that Jeremy Porter's output totally correlates to what Paul Westerberg does-- his writing style is different, especially in the lyrics-- but there's a bit of Westerberg's and Tommy Stinson's post-'Mats stuff in the way the guitars sound, and in the song tempos. If anything, I'd actually say that Jeremy's voice reminds me more of Bob Mould, although that may only be because "If I Can't Change Your Mind" and "Not Like You're Mine" seem like interchangeable song titles to me.

Listening to Westerberg in the car did make me pull out this CD, though, which I got from Jeremy a while ago with the idea that I'd write something about it, which I sorta neglected getting around to until now. Unlike the OffRamps, whose final CD I wrote about a few years ago, Jeremy's solo CD has a lot more of a grown-up singer/songwriter bent to it, even as it borrows an old OffRamps song ("Hallmark Holidays") and reprises the title of an old OffRamps song ("Party of One") as the title of the CD. There's still three pretty good straight-up rockers on the here-- "Out Inside", "When September Passed Us By", and "Not Like Your Mine"-- which is the stuff that I like best, of course. There's a few more songs available to check out on the web site, or to buy the CD, right here:

www.jeremyportermusic.com




Jeremy Porter -

"Not Like You're Mine"


Sunday, September 7, 2008

What I'd Like's Not Likely To Happen



I dropped a mention of The OffRamps when I posted a 7" from Slug Bug (Jeremy Porter from The OffRamps' former band) a couple of months ago, and a couple of the guys from The OffRamps picked up on it and I ended up getting a copy of The OffRamps' new CD out of the deal, which was pretty neat. We ended up swapping one or two e-mails back and forth, which lead to the following interview that Jeremy and I did at the end of August.

I've seen a lot of bands get compared to The Replacements over the years, meaning I'd go out and get their records hoping maybe it was true, without much success. Almost all of them ended up sounding nothing like The Replacements and instead sounded like crap, the one exception being Jay Bennett's miserable Titanic Love Affair, who actually sounded just like The Replacements and sounded like crap. The OffRamps aren't actually interested in being compared to The Replacements, which is a mistake that I won't make again ("The OffRamps sound like a dead ringer for "Don't Tell A Soul"-era Replacements, only a lot less dour" --me, two months ago), so I'll maybe say that if there was ever a straight-up indie rock band that you thought was really good, like The Milwaukees or The Safes something, then The OffRamps are another one.




Since you guys have been a band for a while, I'm sure it's gotten to the point now where you all hate each other.

We actually still get along pretty well. We've been together for 6-1/2 years now, recorded a couple of records and played a lot of shows. You get to know someone pretty well when you spend that much time together for that long! But we've each been doing this for over 20 years and have learned how to get along with and tolerate bandmates. It's not always easy but in the end we're still friends and will be whenever this thing comes to an end.

I'm guessing, then, that after all those years, you guys seem like you're ready to take it to that "next level". I was noticing that The OffRamps haven't really played any shows outside of Michigan and Ohio, but you've got this sharp-looking CD out now, which I think came out really, really good. Is there any plan of doing a tour, or playing some shows a bit further out and giving the CD a real push?

That's a complicated issue. We're doing our best to promote the CD and play some shows, but a full band tour is unlikely at this point. We did manage to get to Chicago and Indiana in the Spring, which was a lot of fun. I hope to get out and do some solo dates over the Fall and Winter to promote record.

The new CD came out really good, though. It has the look and feel of something that a big-time label might've put out, even if you did it all yourselves. Have you been sending it out to any glossy magazines for review and trying to get it into any chain stores, or have you just been selling it on your own?

Thanks! We did do it all ourselves and spent a lot of time and money getting it the way we wanted it. We really labored over the photos and layout. We got a ton of great press on the last record and we're working to do the same here. We are in the process of doing a press blitz, including magazines, radio, newspapapers, blogs, you name it. It'a tough to get attention from the big players, but it hasn't detered us. We'll send it everywhere from Rolling Stone down to a little 100-copy fanzine in Belgium.

Well, don't count on this interview helping your band all that much. Hey, did you hear the song Kid Rock did, where he takes "Werewolves of London" (except he's a hack, so it sounds like Lynyrd Skynyrd) and sings a bunch of stuff about Michigan? It really, really sucks. I hope people in Michigan are ready to kill him for that.

HA! Yeah, I heard part of it. It actually has Sweet Home Alabama in it as well as the Zevon song, so no wonder you heard a Skynyrd sound. People here love that guy and revere him as some kind of god. It's hard to argue with success I guess (diplomatic answer). He's a character and I don't have anything against him, but it's not my thing at all. I used to play in a band with a guy who played guitar for him years ago. Speaking of Detroit music, there's a band from Detroit called HiFi Handgrenades that are amazing. They're in that Naked Raygun/Descendents vein, great songs and musicians. That's more my speed than Kid Rock.

Yeah, I checked out their MySpace just now, they're way better than Kid Rock. Plus the guy was in a band called The Fags! What's the worst band you've ever been compared to?

The Fags were a great band, too. That's a tough question though. We get compared to the same couple bands over and over again, which is frustrating as hell. I can't deny the influences, but I think it often comes down to lazy journalism. Some of the more surprising things I've seen include Buffalo Springfield, The Cure, Richard Lloyd... I certainly wouldn't call any of that stuff terrible, but I don't think we sound like that! We've been fortunate to receive very little bad press.

I guess I should stop comparing you guys to The Replacements, then.

Have you? Sorry! In all honesty it's something that we have to embrace. It's not like we sound nothing like them. On the other hand, don't you think that any midwestern band that plays heart-on-your-sleeve bar rock gets tagged as sounding like The Replacements? Seriously - it could be a hell of a lot worse and we're grateful for the exposure (and any fans it might bring) but we feel like we've got our own thing going and more to offer than a retread of something from 20 years ago.

Yeah, I was just kidding with that. With your sound, you guys are probably pretty adaptable to a lot of different crowds, but have you had any shows recently where things just didn't work out and you felt like you showed up in the wrong place?

That's a good question. This band has always had a bit of an identity crisis. I mean, not internally - we're quite comfortable and confident in our sound - but externally. We're a bit too punk for the older crowd and the americana crowd, and we're a bit too poppy for the punk crowd. It kinda leaves us stuck between genres. We've played with emo bands, outlaw country bands, singer-songwriters... at museums, theaters, corner bars and art fairs. Sometimes we're a bit out of place, but I think that happens to most bands that play out as often as we do. I don't really worry about it much though. I can't write for a specific genre. What comes out is what it is... Sometimes it's fast and angry and sometimes it's mid-tempo twang. I can deal with the fact that people don't always get it as long as I like the songs and think they're as good as they can be - regardless of where they land on the genre map.

I think that's gonna do it! I can't make this too long, or else people will wander off and go click on "Punks Is Hippies" or something. Thanks for your time!

Thanks Dave!


The OffRamps' new CD "Split The Difference" is available on iTunes and at milesofmusic.com, and besides being really good, it features a Nils cover ("Fountains", from "Sell Out Young"), for those of you who are into that sort of thing.

And you can also visit these places while you're at it:

www.theofframps.com
myspace.com/theofframps
myspace.com/jeremyportermusic




The OffRamps -

"Actual Events (Based On)"

"Everything on a Longshot"

(these files are now listen-only)


Tuesday, June 24, 2008

I'm Not Easy To Defend

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I don't know how many of you have heard of The OffRamps, but they have a new CD that just came out earlier this month called "Split The Difference". The OffRamps sound like a dead ringer for "Don't Tell A Soul"-era Replacements, only a lot less dour, so if that seems like it could be your thing then scoot on over to www.theofframps.com and go for it.

Slug Bug was The OffRamps' Jeremy Porter's band back in the 90's; that was when I picked up the second Slug Bug single in some 50-cent bin somewhere and liked it, so I put a few bucks in an envelope and mailed away for their first EP, "Live It Down". Judging by the note that I got back with the record, I must've foisted my standard "AC/DC or Cheap Trick?" query (a running gag from the last couple of issues of Brushback) upon Slug Bug's Chicago-based label, Red Eye Growler, when I sent out my order, and it looks like they answered somewhat correctly.

I'm sure Slug Bug caught my ear because they sounded like they probably listened to the same records that I did growing up (Replacements, Hüsker Dü, whatever). You can hear a little of the Ringing Ear bands (Doc Hopper, Sinkhole, Huffy) in them, with some Doughboys, Punchbuggy, and maybe some early Uncle Tupelo too.

I'm including one of the "Cheap Trick vs. AC/DC" bits from a ten-year-old issue of Brushback down at the bottom, though I'm sure it was a lot funnier back when people still had some idea of what Fizz was.


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Slug Bug -

"Live It Down"

"Wednesday Tonite"

(these files are now listen-only)


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