Showing posts with label Cheap Time. Show all posts
Showing posts with label Cheap Time. Show all posts

Sunday, May 15, 2011

I've Got A Wallet On My Ass With A Rock 'n' Roll License



My way around Milford is for shit-- I mean, I've been there a bunch of times before so I should know my way by now, but the town's just so fucked up-- so I left extra early on Saturday, figuring that I was bound to get lost on my way to the show. I actually didn't get lost (well, not really), but it's a good thing that I got to the club early anyway, because Estrogen Highs were made to go on at 9:00, even though there was only Cheap Time playing between them and the headliners Guitar Wolf, and Guitar Wolf didn't actually hit the stage until a quarter to midnight. I don't know if that had anything to do with Estrogen Highs playing more subdued, but they seemed to be reigning in their instincts a bit, like not freaking out during songs as much. It was almost like one of those "sober Replacements" shows that I keep hearing about. They were still really good, though-- "The Supposing View" has become a cracking good song live, even beyond what it is on the record-- plus they had copies of their brand-new 7" on Southpaw, which is four songs that were supposed to be on the "Sods and Odds" tape on Herp-a-Derp but I guess the guy fell down or something.

Cheap Time's 20-minute set was pretty decent, too, although the 40-minute set they played right after it wasn't (they played too fucking long, that's the joke there, son). I kinda had enough of Cheap Time a couple years ago and wasn't expecting much from them this time around-- which in these modern times means I was texting people things like "I think this next band is going to suck an egg" before they went on-- but they were actually just as rippin' "punk" as when I saw them in the Whitney House basement back in 2008. I was also pretty stoked to see that they had copies of the Scion split with Bad Sports with them, since the Bad Sports song was one of my favorite songs from all of last year. They also made their own hand-stamped-looking alternate sleeve to go with it, too, possibly to offset the fact that they're charging people 6 bucks for a single that they no doubt got by the boxload from Scion for free. At least it keeps the Scion logo out of your face every time you pull the record out (although the label still has "Scion is a marque of Toyota Motor Sales and Scion and the Scion logo are trademarks of the Toyota Motor Company" written all over it), which will go towards helping you forget that you actually own a punk record made by an auto company whose cars all look like a box of farts.

After seeing Guitar Wolf for the first time, I think all bands should do every single one of these: A) Have a ridiculously dinky fog machine that makes a ridiculously dinky amount of fog B) Stand in one spot and give everyone the devil's horns for about a minute before playing anything C) Slug down a can of beer in one chug and throw the can out into the crowd D) have "ROCK AND ROLL" spelled out on the band of your underwear (okay, maybe it was a belt, what difference does it make) E) Put tape on the back of your guitar neck so that you can remember all five of the chords that make up your set list F) Rock the fuck out, regardless. How much fun would that be? For about a week, at least.


Guitar Wolf -

"Jet Generation"

"Kaminari One"

Cheap Time -

"Proper Introductions (Running Nowhere)"

Estrogen Highs -

"For All I Know"






























Friday, November 21, 2008

I've Been Thinking A Bit Too Much

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Not only is the Whitney House pretty close to becoming my favorite place to see a show, the show three nights ago with Cheap Time, Estrogen Highs, and Post-Modern Sounds is prety close to being my favorite show I've been to all year. Sure, Monotonix and Creepdust in Danbury back in July was a biggie (too bad I missed Tractor Flips), and when the singer from Pluto Gang passed out on stage at the Charter Oak it was fairly entertaining, but you can't beat three great bands playing a basement show not even two miles away from where you live.

I missed all but two songs from Post-Modern Sounds, but even then they sounded better than ever. It says somewhere that they're planning on recording a new record soon (sample lyric: "Hey guys, my name's Mark and this is Tom jammingalong, and in the back is Travis on the drums") -- yeah, should be great.

Going on last, Cheap Time almost got there late, driving straight up from Baltimore (I guess) in order to hop out of whatever it was they were driving and start playing in about five minutes. Their album is like the Rip-Offs doing Fastbacks covers ("Trip to the Zoo"), but underneath the lo-fi garage rock production of their records they're your basic awesome pop-punk band, and that's what comes out when they play live. Extra points for the Nigel Tufnel look the bass player was sporting, if only just this once.


Cheap Time -

"People Talk"
(Toys cover)

(this file is now listen-only)


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The Estrogen Highs ruled. Good, like Negative Approach '84 good, even though they sound nothing like 'em-- they just held that kind of power. I've been back and forth on these guys a lot; I saw Estrogen Highs twice last year, before all the buzz, which unfortunately included a set in Danbury that was probably the worst I've ever seen from a band that was theoretically "good". Then they opened for King Khan and BBQ, and that was more than okay, so as a dare I bought their two records over the summer and filed them away, just in case I ever felt a need to listen to them sometime. Well, that sometime is now for the Estrogen Highs, because their set on Tuesday night was near-perfect, right down to the last two words out of Stefan's mouth-- "Fuck off"-- before he unplugged his guitar and walked away.


Estrogen Highs -

"She's Gone Missing"

(this file is now listen-only)


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